Maricar Cadavicio asked:


It can be seen everywhere. It is on the face of a high school textbook. It is the sign on the street. It is on the CD cover of the latest album your have purchased. It is on the t-shirt that you are wearing or your friend is wearing. And yes, you see it as you browse through the pages of your favorite gossip magazine.

Graphic design can be found in the most simplest of places and surfaces. It can be seen from high profile venues to the most nondescript ones. Graphic design is simply the process of creating or combining visual elements, such as text and images to communicate to its viewers or readers.

It one of the most valuable and creative ways to send a message to the consumers, patrons, clients and everyone else that comprises the huge market. It is used to effectively bring a message, a concept or an idea through the audience.

While graphic design may be viewed as an all too common tool used in advertising, it actually requires a much more sophisticated level of understanding. Graphic design requires able comprehension and manipulation of information, combined with cognitive skills, aesthetics, and the like to wield an effective design.

Many businesses acquire the services of graphic design. It needs to stand out from the rest of the companies out there. And it does just this by getting acquainted with a graphic designer that can translate the company’s philosophy and values into an encompassing and identifiable image.

Graphic design can ably capture a company’s identity or vision into a complete image, both literally and figuratively. By harnessing all the visual elements of text, colors, symbols and the like, the graphic designer works to fulfill your desired goals or objectives.

Many people, whether in private practice or small enterprise, find themselves needing the services of a graphic designer at one point or another. To this, you will need to observe or remember this practical step by step guide:

1. The first thing you need to accomplish is to find a suitable graphic designer for your project. Find one that you think would fit well with your company’s taste or desired goals. A graphic designer’s portfolio can show you the range of work he or she has done and specializes in.

2. After which, set up a meeting and fully communicate your proposed ideas.

3. Specify your allocated budget

4. Give a time frame.

It would do better to have a time frame if you really want to oversee and regulate the graphic designer’s progress.

There should be submission dates for drafts, revisions and the like before the final artwork is submitted.

5. A deadline is important and you must discuss it and the terms necessary to complete the project.

6. As to prevent any possible fallout, your company should procure a well written and clear contract that states precisely how you would handle the affair. It should also cover the all too common conflicts that can arise in this type of transaction or service. It could also include the proposed schedule as to when and how often the meetings will take place.

With that accomplished, the designer would carefully study your proposed ideas and he or she will in turn do the needed research and find the best possible design that will both fit and outdo any existing designs or projects.

Graphic designs may be used for different purposes. It can be used for clothing, for internet sites and for various print materials where it is all too common. Graphic design and printing should unequivocally work together. The final artwork to be sent to production should be finalized, taking note of all the final decisions on the colors, styling, layout and materials.

Graphic designers must especially have a background on printing is the desired artwork is to be printed. An artwork or design as it appears on screen can appear different once it is on paper. Therefore, a graphic designer has to calibrate everything and know the best means how the design can be printed as precisely as possible.

The printer too, must in turn, demonstrate expertise in handling and supervising graphic designs. By carefully choosing the colors, papers and using a variety of techniques to achieve the final effect of the design, the printer can skillfully breathe life into the graphic design.

Graphic design can definitely and dramatically boost your company’s name and image overall. It will distinguish your company from others and make a lasting impression for your audiences.

Brian Scott asked:


Are you a whiz kid with a pen in your hand? Can you whip up photographic mash-ups that make the Mona Lisa look like illegible scrawl on a bathroom wall? Do you look at album covers and glance at the heavens above, shaking your head knowingly? Then why not put those skills to use and show those rank amateurs how it’s really done?

Whether it’s putting together album covers, posters and logos for the local garage band, doing ensemble flyers for traveling street theatre or producing viral advertising for the world’s largest shoemaker, there’s never been a bigger market for freelance graphic designers, or a better time to be one. The software and hardware that once made digital design and subsequent mass-marketing a rare and expensive medium has cheapened to the extent that anybody with an internet connection, an inexpensive personal computer and an inspired idea can have their work broadcast to tens of millions of people around the world.

Graphic design in its truest form is about conveying a message with a combination of carefully selected colors, symbols, images, shapes and words that, put together, create a unique identity for a product. Those who can do this with rapidity, enthusiasm and a little flair are always in demand. If you’ve got some ability within the realm of traditional fine arts, all the better, but it’s not the be all and end all of your career. Like all artistic pursuits, though, you need the right tools for the job. Specifically, you’re looking for the following:

1. Software. Whether you work with a can of paint and an easel or a mouse and a monitor, you are going to eventually end up with a digitized version of your finished work for delivery to the client. For those of us with liquid assets, I highly recommend Adobe Photoshop and Illustrator. If you can’t splurge the high cost for these programs, you can find extremely serviceable replacements in the free, open-source GIMP and Inkscape. Together, these should cover your needs for vector artwork, photo retouching/manipulation, post-processing and final file exports.

2. A good digital (or even film-based!) camera is a useful optional extra. I prefer Canon DSLRs for their aggressively reasonable prices and excellent image quality, but high-end point and shoots can do the job in a pinch. They do, however, lack slightly in credibility while on-site. For those of us nostalgic for the days of 35mm, you can find brilliant film SLRs on eBay for knock-down prices.

3. If, however, photography isn’t your cup of tea, then free stock photo services such as MorgueFile or Stock.xchng are excellent resources that do all the work for you.

4. Finally, a flatbed scanner always comes in handy, whether you’re digitizing hand-drawn designs, scanning client-provided images or transmitting 35mm negatives. The Epson Perfection and Canoscan 8400F have garnered extensive praise for being well-rounded and affordable. Throw in a color inkjet printer or a membership to the local Kinkos, and you’re done.

So now you’re well-equipped and looking to set the world on fire as a gun-for-hire designer, but don’t know where to start. Assuming you haven’t done this kind of work before, your first priority would be to produce a varied portfolio guaranteed to blow the socks off any potential employer. A useful technique, I’ve found, is to start by going through your collection of books, video games and CDs, and picking out a few of each with covers you either **** or love. Decide why it is they produce such strong reactions in either case, and what you would have done differently. With this in mind, attempt to redraw as many as you can in your own image. As you come up with successful designs, put them aside.

Similarly, find some eye-catching stock photos and see what comes about when you simply sit and play with them in your chosen image manipulation software. Get to know the functions of the software and the way images respond to different treatments until it’s second nature.

When you think you’ve got a killer portfolio and the mindset to successfully close a deal, it’s time to find a client. Great first-time employers include local musicians and stage acts, as well as neighborhood businesses with uninspiring logos or lackluster advertising material. (You know what we’re talking about when I mention brochures or restaurant menus that look like they were put together by a ten year old using Word Art and MS Paint).

Most potential clients of this caliber don’t know how presentation affects their business, or feel that hiring a graphic designer to do work for them would be too expensive, so offer them a cheap, friendly, local alternative: yourself! For small projects, offer a flat rate; and for larger ones, keep a log of hours you spend and how many designs you produced so that you can bill accordingly.

It helps, too, to do some gratis work to get your name out there. Use your judgment and offer to redesign for free when you think it’s suitable. Networking and subsequently maintaining contacts in the local business community is what can net you, initially, the most lucrative projects, as well as long-term contract work. Graphic designers in the freelance arena have to think of themselves as part-artist, part-salesperson. Pound the pavement, scan the back pages of community newspapers for projects that look interesting, make calls to fashion, art and IT magazines to see if they have any space for an aspiring designer in their ranks.

On a larger scale, attracting corporate clients requires an online presence, and enough of the above to make an impression. Magazine freelancing in particular can generate contacts and assets in the upper tiers of international marketing and design. Spend some time uploading your creations to a website like Flickr.com or DeviantArt.com, where you can get free exhibition space, as well as having a place to call your own that you can point people to for easily accessible examples of your work. This is just an extension of your portfolio; but like your portfolio, make sure it’s a showcase of all your abilities. Indicate especially that you can diversify and handle different mediums and project sizes.

Freelancing as a graphic designer can be initially difficult; more often than not you may find potential clients slamming doors in your face. Take this in stride and persevere. Like most creative positions, as you accumulate paying jobs, more will become available to you. There’s a lot of demand globally for you to carve out a niche for yourself in freelance graphic design.